The exhibition ‘Exploring the Collection: Colours’ in 2025 was used as a chance for Salford Museum and Art Gallery to evidence how visiting an exhibition may influence the mood of the visitor. Various techniques were used to do this including a visitor questionnaire in the form of a colour wheel, a narrated slow looking exercise, and an ideas tree that visitors could contribute to. We worked with two community groups who helped us to devise ways of collecting data and making the space welcoming. Their quotes were also used as the main interpretation for the exhibition.
“Visiting an exhibition isn’t something I would normally do. Today made me feel like I should try new experiences rather than sitting on my arse.”
Based on the NHS five steps to mental wellbeing we provided opportunities for visitors to:
What we found out:We worked with Talk About It Mate (TAIM), a group that focuses on men’s mental health and provides a safe space for men to connect and talk; and Women into Visual Arts and Enterprise (WIVA), a group of women who use art as a cathartic way to learn and express themselves, developing these skills into business opportunities.
64.2% of participants said the sessions improved their wellbeing significantly.
71% of participants said their opinion of Salford Museum and Art Gallery had improved after taking part in the Colours Project.
100% of participants rated the Colours Project 6/10 or above.
“A really enjoyable and thought-provoking experience. Loved the interaction with others in the group and sharing our thoughts and often differing opinions. It was good fun!”
“Really enjoyed the discussions and examining objects chosen for the exhibition. The questionnaire made me think about what I felt about the objects beyond a superficial ‘I like/I don’t like this’.”
” I found the project to be quite original as I haven’t been part of a mindful exercise with paintings and I think it’s quite relatable for people who don’t have art backgrounds. It allows people to contribute to the aesthetic experience and dissolves expectations of elitism that some people have at exhibitions.”
“Valued to be engaged in the project towards a feeling of ownership.”
In future exhibitions our findings from this exhibition will guide the planning and design where relevant. We will:
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